*** PAST MASTERS 09/09/09 - STEREO and MONO Comparisons ***

After the 13 official British albums by The Beatles were first reissued on CD (February to October of 1987), all the non-album tracks on UK 7" singles, the exclusive 4-songs on the "Long Tall Sally" EP and any other stragglers were then gathered up onto two separate CD compilations called "Past Masters" (Vol. 1 & 2) and issued globally on 8 March 1988 to compliment the main catalogue.

This 9 September 2009 reissue of "Past Masters" combines both of those Volumes into one 2CD set. They've been taken out of their clunky jewel cases and given a tri-gatefold card sleeve (black in colour), new 2009 remastering (mostly Stereo) and a vastly upgraded booklet. Of the 33 tracks, 29 are in STEREO with 4 being in MONO - "Love Me Do", "She Loves You", "I'll Get You" on DISC 1 and "You Know My Name (Look Up My Number)" on DISC 2.

However, there are differences between the old and new issues... The 1988 version of Disc 1 had 7 MONO tracks and not 3 (Disc 2 has remained the same) - the 4 now replaced with STEREO versions are "From Me To You", "Thank You Girl", and the two singles sung in German. But therein lies a further anomaly...

Beatles chroniclers will know that prior to the issue of "The Ballad Of John & Yoko" in May 1969 - ALL of their UK 7" singles were issued in MONO-ONLY ("The Ballad Of John & Yoko" was their first STEREO single in the UK, while their first STEREO 7" in the US was as late as "Get Back"). So while the vastly improved liner notes talk knowledgably about each British single - this set is in STEREO when they were only ever issued in MONO! Some would therefore say that this whole compilation only compounds the mistake of the 1988 issues and is a further historical travesty. But I'd argue that accuracy's loss is the listener's gain - because these NEW STEREO REMASTERS are simply astonishing soundwise - they really are.

The original masters tapes have been remastered by GUY MASSEY, STEVE ROOKE, PAUL HICKS and SEAN MAGEE with the whole project overseen by ALLAN ROUSE and they've all done a stunning job. "The Inner Light" by GEORGE HARRISON (the B-side to "Lady Madonna") is a good example of the sound improvement - it's just BEAUTIFULLY CLEAR - it's loud yes, but not amplified to a point where hiss drowns out the song (there's none). And listening now to Disc 2 especially, you're struck with awe at how good they were - these were only SINGLES for God's sake! Most bands would kill for a double whammy like "Hey Jude" and "Revolution" or "Get Back" and "Don't Let Me Down". Soundwise - literally everything seems up for grabs - and in a thrilling way...

The 2nd variant of "Past Masters" is ONLY available in the expensive "The Beatles In Mono" Box Set (not surprisingly it's been renamed "Mono Masters" - its white in colour). I mention this because if you actually want to accurately line up the British singles as released, then this is the place to start. In fact, it's probably already occurred to most dedicated fans by now that if you want the FULL UK 7" SINGLES PICTURE (1 to 19 in MONO, 20 to 22 in STEREO), you'll need BOTH variants, even if it costs...

Here's a breakdown of their differences...

Past Masters - STEREO - Disc 1 - 18 Tracks (42:31 minutes)
Mono Masters - MONO - Disc 1- 18 Tracks (35:56 minutes)
Tracks 1 to 18 are the same names on both discs

Past Masters - STEREO - Disc 2 - 15 Tracks (51:00 minutes)
Mono Masters - MONO - Disc 2 - 16 Tracks (48:35 minutes)
Tracks 1 to 8 are the same names on both discs
Tracks 9, 10, 11 and 12 on the MONO set are - "Only A Northern Song", "All Together Now", "Hey Bulldog" and "It's All Too Much" (they're 4 songs from Side 1 of the British "Yellow Submarine" album)
Tracks 13, 14, 15 and 16 on the MONO set are "Get Back", "Don't Let Me Down", "Across The Universe" and "You Know My Name (Look Up My Number)"

Given the absence of the Red & Blue 2CD sets in this reissue series, for me this rather dull looking double is the best of all the 09/09/09 releases - the song quality is incredible from start to finish and it also rather eloquently shows The Beatles extraordinary development from pop ditty songsters in 1963 to pure rock genius by 1969.

OK, so "Past Masters" is not historically accurate, but I suspect for the average listener this will not matter - they'll be too busy enjoying the brilliance coming out of their speakers to care about chronology.

To sum up (and despite niggles), for me the new STEREO "Past Masters" 2CD set is a winner - fab indeed - and thoroughly recommended.

PS: For fans I've typed a detailed track-by-track breakdown in the 'comment' section attached to this review

This CD contains all the officially released tracks (in the pre- Anthology age) from 62 to 65, which were not featured on the original albums and thus provided a way for the cd collector to own all the official recordings. The result inevitably is somewhat mixed - 'Love Me Do' (the original single version with Ringo on drums) is still, however catchy the harmonica, a rather inane song, and the two songs in German ( versions of 'She Loves You' and 'I Want to Hold Your Hand' respectively) have little more than novelty to recommend them. Having said all that the balance of the album shows why the Beatles are still held in such awe. A great deal of attention has been paid to the Beatles later work but just listen to the energy they can summon on 'She Loves You' - not an wasted moment from that first drum break. It is amazing today that they could afford to leave such great singles as this ,'I Want to Hold Your Hand' and 'I Feel Fine' off their albums. What is even more astonishing is that a track as brilliant as 'She's A Woman' - a track ANY other band would have died for - could be relegated to a b-side, or that Paul's blistering version of 'Long Tall Sally' should be allowed to slip into semi-obscurity as an ep track. And to round off the CD 'I'm Down' - surely no-one could have had more evident fun recording a track.
Rather than buy '1', buy this and it's companion CD. So much more enjoyable.

'The Beatles: Past Masters' collects both volumes of the previously issued 'Past Masters' CDs, in remastered form and an attractive gatefold sleeve. For the uninitiated, these discs collect the commercially released Beatles tracks not featured on any of their albums - mostly singles and B-sides, including such legendary tracks as 'From Me To You', 'She Loves You', 'Paperback Writer', 'Hey Jude' and many more besides, as well as the German re-recordings 'Komm, Gib Mir Deine Hand' and 'Sie Liebt Dich'.

The main benefit with this reissue - besides both discs being available together for the first time - is that the tracks, like the rest of the Beatles catalogue, have been extensively remastered. In some cases, the differences aren't obvious, and it's occasionally hard to tell the difference between the original CD versions and the new ones - mainly on the earlier material. But in some cases, the difference the remastering makes is astonishing - 'She's A Woman' being the most obvious example, which is now so much clearer that I was able to detect a whole piano part I hadn't previously been aware of. As with all the other remastered releases, there's a glossy booklet filled with background information, though unlike the albums, there's no additional video content, presumably due to the wide ranging nature of the material, which it would be difficult to do justice in a 4 or 5 minute featurette.

If you own the earlier 'Past Masters' CDs, I'd say there was certainly a benefit in upgrading to the remastered edition - and it's certainly better value than before. If you don't, then there's no better time to explore this fantastic collection of popular classics and a few hidden gems.

This LP version was pretty much an afterthought as it had already been released as 2 seperate CD's. However, it's one of the few post-breakup compilations that actually makes sense and serves a useful purpose considering the plethora of "exploitation" compilations released after the band finally broke-up in 1970. Let's face it, we had "1962-70", "Rock & Roll Music", "Love Songs", "Live At The Hollywood Bowl", "The Beatles Box", "Ballads", "Rarities" (2 Versions!) "20 Greatest Hits" (Seperate UK & US Versions + The Number Ones (An Aussie Compilation) - and that's just the official releases, not to mention the repacking of the original Beatles catalogue as a boxed set and "Only The Beatles", released on Cassette only and now quite rare. However if you're a big fan like myself, then, like me, you've probably got all of those on vinyl anyway.
This album gathers together all non-LP Singles & 'B' Sides, EP tracks, 2 German language versions, a giveaway track and 3 alternate versions also originally released on single ("Love Me Do', "Get Back" & "Let It Be").
Volume 1 covers 1962-65 and includes Million selling singles such as "She Loves You", I Want To Hold Your Hand, I Feel Fine. Also included is the original single release of "Love Me Do" featuring a nervous Paul whose voice is shaky in the solo parts..hey it was his first BIG moment on record, hence the nerves. The B-sides were usually high quality. As a kid growing up with them, these tracks were as famailair to me as the "A" sides. Highlights here include "She's A Woman" & "I'm Down" and the gorgeous "This Boy". All of these would have been an A-sides for ANY other band.."She's A Woman" was pretty much a double-A in Australia such was it's popularity at the time. The B-side was a useful vehicle that the Beatles successfully experimented with and some great groundbreaking stuff resulted. Another highlight is the complete "Long Tall Sally" EP, and along with the title track, it included "Slow Down", "Matchbox" & "I Call Your Name". It was their first purposely recorded EP and arguably the greatest EP ever released by anyone.
Volume 2 covers 1965-70 and the highlights are even more plentiful. Here we have the Beatles "using the studio as an instrument" and the results speak for themselves..."We Can Work It Out" & "Day Tripper" were originally a Double-A single released the SAME DAY as the "Rubber Soul" LP. They were always a prolific band but they didn't just churn music out for the sake of it. The quality of their work was always high standard and it moved forward, breaking the rules and making new ones as they went. "Rain" was probably their best ever B-side, recorded with it's A-side "Paperback Writer" during the "Revolver" sessions but not included on that album. The other high quality B-sides include George's wonderful "The Inner Light", John's pre-metal "Revolution", "Don't Let Me Down", "Old Brown Shoe" plus the track that nearly never was "You Know My Name (Look Up The Number)", originally recorded in 1968 but eventually released as the under-side to "Let It Be". The other 'A's include "Hey Jude", "Lady Madonna", "Get Back" (the complete version), "Ballad Of John & Yoko" and the afore-mentioned "Let It Be" - this is the single version with a different lead guitar solo. This album could effectively be a "Greatest Hits" compilation such is the standard of tracks on this LP and with the way it's compiled, you can track the group's amazing progress from 4 curious musical explorers who just wanted to play rock 'n' roll to influential trendsetters leading the way for others to follow in their wake. There will NEVER be another band like them.
If you've got all the other studio albums and you're looking to complete the set, then this album fills the bill beautifully. Thoroughly recommended. This review is based on the CD versions.

Even the less well known Beatles song reach heights that other bands can only dream of. Tracks like Rain are so good they would have been career defining for lesser talents. Add these tracks to the numerous singles that did not make it onto other albums & you have an essential buy. Remastered it sounds as bright as a brand new vinyl copy (remember those)